Film Riot puts an iPhone inside a Street Fighter-style shoot
Ryan Connolly's action breakdown brings professional stunt performers, wire work and a fully rigged phone to a distillery.
Why this story? The channel's weekly summary: what went up this week, what is drawing views now, and where the channel stands among similar channels.
How Good is the iPhone 18 Pro for Action Scenes?
Things we can learn from the video
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- 1:59Tyler Galpin, Preston Schrag, Dawson Towery and Jeff Galpin form the stunt team behind the action sequence.
- 2:13Red and green lighting covers the distillery in every direction to keep camera setups moving quickly.
- 3:36A wire-and-pulley system pulls performers backward to sell the force of heavy hits.
- 6:44A cage, external SSD, monitor, hub and battery build a camera rig around the phone.
- 8:40The Blackmagic Camera app supplies a clean monitor feed and records to external storage.
- 10:30The main wide camera handles action well, but the noisier telephoto limits the available lens choices.
Preston Schrag and Dawson Towery fight over a briefcase bomb, and an energy blast raises the stakes. Then Film Riot pulls the scene apart to show how much of that impact came from stunt work, lighting and a phone surrounded by rather more equipment than fits in a pocket.
"How Good is the iPhone 18 Pro for Action Scenes?" was the channel's only new upload, collecting nearly 4,000 views in its opening four hours. Ryan Connolly joins stunt coordinator Tyler Galpin and rigger Jeff Galpin for the breakdown. Justin's contrasting red and green lighting covers the distillery in every direction, allowing the crew to move quickly within a ten-hour shooting window.
The phone's small size is part of the appeal, but Connolly doesn't want his hands directly on it. A cage, external storage, monitor and battery turn it into a working camera rig. His practical reservation is the lens choice: the main wide camera suits much of the action, while the telephoto produces a noisier image. The episode also contains a paid music-licensing sketch featuring Dojo Master Jericho.
Viewers have technical follow-ups: one asks for a wire-removal tutorial, another wants a front-facing version with sideways camera movement to echo the game. Those are fitting questions for a channel whose older "What's the Point of Shooting Anamorphic?" remains its busiest upload by daily views.
Across the channel, the subscriber count held steady and the archive helped bring in roughly 84,000 views over the week. Daily viewing is a little below its usual level. Full Time Filmmaker had a similarly modest week in the neighboring creative-channel group, while Film Riot's own active back catalog also includes the Last Light making-of and its classic-film effects series.
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What viewers say
Love to see y’all shooting on an iPhone. Fun stuff.🎉
@stereothrilla8374See it on YouTubehey please make a video on wire removals of this scene
@someoneeditsSee it on YouTubePlease do one from the front view with dolly left and right movement, like the original game persepective.
@bmkhalidhasanSee it on YouTube
2 more comments
that 3d device was so good in the final picture
@someoneeditsSee it on YouTubeAnother killer short! Always an honor to be a part of the magic. Great job Joey!
@punishedpropsSee it on YouTube
Public comments from the video's page on YouTube
The videos drawing views on Film Riot right now
- Channel
- Film Riot
- Subscribers
- 2,260,000
- Channel views, last 7 days
- 84,362
- Videos published this week
- 1
- Video published
- November 5, 2026
- Video views so far
- 3,841
The numbers
Here's Film Riot's week in views and subscribers.
💡 Test your knowledge
Which app does Ryan use to record the iPhone action scene?
Ryan uses Blackmagic Camera to record the scene and send a clean feed to his monitor.




