This week on the channel

Blood Meridian's adaptation puzzle returns on Like Stories of Old

An older McCarthy essay shares the channel's active collection with Susan Sontag and a question about cinematic realism.

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Like Stories of Old Story of October 14, 2026Trari Newsroom

Why this story? The channel's weekly summary: what went up this week, what is drawing views now, and where the channel stands among similar channels.

McCarthy's Greatest, Terrible Book is Becoming a Movie, What Will It Look Like?

Like Stories of Old posted nothing new this week, but its library offers a substantial movie-night companion: an essay on what happens when Cormac McCarthy's prose becomes cinema.

"McCarthy's Greatest, Terrible Book is Becoming a Movie, What Will It Look Like?" draws lessons from adaptations of All the Pretty Horses, No Country for Old Men, The Road and Child of God before reaching Blood Meridian. The description frames that notoriously violent novel as an enduring adaptation challenge. No Country for Old Men, adapted by Joel and Ethan Coen, provides one particularly useful example of how McCarthy's work can find a distinct screen language.

Nearly seven months after posting, the essay is drawing about 4,000 views a day. Two other essays are attracting almost the same daily attention, despite very different ages. "Movie Culture has a Problem" revisits Susan Sontag's "Against Interpretation" and "On Style," asking whether a film needs to be decoded into a message at all.

Then there's "Why Movies Just Don't Feel \"Real\" Anymore," which has passed six million views. Its chapter list moves beyond the familiar practical-effects debate into perceptual realism, the cinematic look and the sensory qualities of images. Together, these essays make a nicely connected catch-up: how to adapt a book, how to interpret a movie, and what makes its world feel tangible.

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